Curating Wrong Places

Doherty, Claire. “Curating Wrong Places…Or Where Have All the Penguins Gone.” Curating Subjects. Ed. Paul O’Neill. London: Open Editions, 2007.back to top
Gough, Paul J. “’Calculating the future’ – panoramic sketching, reconnaissance drawing and the material trace of war.” Contested objects: material memories of the Great War. Ed. N Saunders and P Cornish. London: UCL Press, 2007. In pressback to top
Gough, Paul J. “Planting peace: the Greater London Council and the community gardens of central London.” International Journal of Heritage Studies in press (2007)back to top.

Doherty, Claire “In Search of the Miraculous.” Back to the Future. ICA, London. 25 July 2006.This presentation was made as part of the Back to the Future curatorial competition of imaginary exhibitions in which four curators were invited to ‘rewrite history’ by presenting alternative proposals to the 2001 inaugural exhibition of Tate Modern.back to top
Doherty, Claire “Atmosphere – the work of Paul Rooney”, Got Up Late the Other Day. Paul Rooney monograph. Colchester: Firstsite, 2006.back to top.

Gough, Paul J. “Insurrection: Resurrection: reviving the dead in the work of Stanley Spencer, Otto Dix and Jeff Wall.” Spaces, Haunting, Discourse, Multi-Disciplinary Conference. Karlstad University, Sweden. 15-18 June 2006.back to top
Gough, Paul J. Stanley Spencer: Journey to Burghclere. Bristol: Sansom and Company, 2006.

ISBN 1 9404537, 2006Drawing on Spencer´s own letters, illustrations and paintings, Paul Gough tells the story of the artist´s journey from cosseted family life, through the drudgery of a war hospital and the malarial battlefields of a forgotten front, to his unique vision of peace and resurrection in Burghclere. The book locates Spencer´s work alongside other soldier-artists of the time.back to top
Doherty, Claire, ed. Thinking of the Outside: New art and the city of Bristol. Bristol: Bristol Legible City and the University of the West of England in association with Arnolfini, 2005

ISBN 1 86043 3774Six internationally acclaimed artists were commissioned to respond to Bristol’s historic landscape. This book traces how their research took the artists beyond the limits of the city, to examine present-day boundaries, architecture and attitudes that deal with the relationship between outsider and insider.back to top
Dunhill, Mark and O’Brien, Tamiko. Sculptomatic. Surrey: James Hockey Gallery Publications, 2005.
ISBN 0-9543810-8-4back to top.

Gough, Paul J. “’That vile place’ – the Beaufort War Hospital as a place of revelation and inspiration in the work of Stanley Spencer.” Health History West Seminar Group, UK Centre for the History of Nursing & Midwifery, Bristol. 18 May 2005.back to top
Gough, Paul J. “Guerilla gardening: spheres of public interaction, intervention and invasion” Public Spheres: contested monuments, meanings, identities, and spaces, Armenian Association of Art Critics (AAAC) University of Plymouth. 21 June 2005.back to top.

Gough, Paul J. “Peace in Ruins – the value of mementoes, temporary shrines and floral tributes as markers of a public sphere.” Conference: Public Sphere: Between Contestation and Reconciliation, American University of Armenia, Yerevan. 25 – 27 October 2005.back to top
Gough, Paul J. “Garden of gratitude, the National Memorial Arboretum and strategic ‘remembering’.” People & their Pasts. International Public History Conference, Ruskin College, Oxford. 16 – 17 September 2005.back to top
Davies, Allan Ed. Collaborative Art practice and the Fine Art curriculum in Enhancing the Curricula. London: University of the Arts, 2004
ISBN 0-9541439-3-0back to top.

Gough, Paul J. “Corporations and commemoration – First World War remembrance, Lloyds TSB and the National Memorial Arboretum.” International Journal of Heritage Studies Winter (2004): 435-455
ISSN 1352-7258back to top.

Doherty, Claire “Location, Location.” Art Monthly. November 2004back to top
Doherty, Claire, ed. Contemporary Art: From Studio to Situation. London: Black Dog Publishing, 2004
ISBN 1-904772-06-04This book describes the shift in focus that has taken place in much contemporary art practice in the last decade. From the notion of relational aesthetics to the concerns of site-specificity, this book provides a new critical investigation into the production and curation of contemporary art.back to top.

Gough Paul J. “‘Rhetorical topographies” Art after landscape: memory place and identity, AHRB Centre for Cultural analysis, Theory and History, University of Leeds and LAN2D, Dean Clough Galleries, Halifax. 5 – 6 November 2004.back to top
Gough, Paul J. “Corporations and commemoration – First World War remembrance, Lloyds TSB and the National Memorial Arboretum.” International Journal of Heritage Studies Winter (2004): 435-455
ISSN 1352-7258back to top.

Gough, Paul J. “Sites in the imagination: the Beaumont Hamel Newfoundland Memorial on the Somme.” Cultural Geographies 11.3 (2004): 235-258.
ISSN 1474 – 4740back to top
Gough, Paul J. “Towards the creation of a national memorial shrine.” The Politics of Cultural Memory, Manchester Metropolitan University. 4 – 6 November 2004.back to top.

Gough, Paul J. “Calculating the future: panoramic sketching, reconnaissance drawing and the material trace of war” Conflict, Memory and material culture: the Great War 1914-2004, The Second University College London/Imperial War Museum Conference on Materialities and Cultural Memory of 20th-Century.
Conflict, Imperial War Museum, London. 11 September 2004.
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Gough, Paul J. and Morgan, Sally J. “Manipulating the Metonymic: the politics of civic identity and the Bristol Cenotaph, 1919 – 1932.” Journal of Historical Geography 30 (2004): 665-684.
ISSN 0305-7488,back to top.

Ure, M and Voss, R, Ed. scenery. Venice: Published by Nuova Icona in association with the University of the West of England and E.S.U., University of Ca Foscari, 2003.
ISBN 88-87632-19-.

Two-volume publication. Essays by Adam Caruso, Martin Herbert, Andrew Spicer, Sally O’Reilly and Bernard Walsh. Illustrations by Wim Delvoye, Charles Mason, Hiroshi Sugimoto, Mandy Ure, Roy Voss and Naomi Wilkinson.back to top
Gough, Paul J. “Invicta Pax’ Monuments, Memorials and Peace ; an analysis of the Canadian Peacekeeping Monument, Ottawa.” International Journal of Heritage Studies 8.3 (2002): 201-223.

ISSN 1352-7258back to top
Gough, Paul J. “Peacekeeping, Peace, Memory: Reflections on the Peacekeeping Monument in Ottawa, Canada.” Canadian Military History 11.3 (2002): 65-74.

ISSN 1195-8472back to top
Gough Paul J. “’Through the wrong end of the telescope’ : Military Drawing and British War artists, 1914 – 1918.” Peindre la Grande Guerre 1914 – 1918, Cahiers d’etudes et de recherches du Musee de’l’Armee. Paris: IAMAM, 2001. 97-111.
ISBN 2-901418-260back to top.

Gough, Paul J. “Landscapes of War (and Peace).” Monuments and the Millennium. Ed. Robert White. London: James and James and English Heritage, 2001. 228 – 236.
ISBN 1-873936 – 97 – 4back to top
Dunhill, Mark and O’Brien, Tamiko. The Lost Works of Dunhill and O’Brien. Bristol: Wild Conversations Press, 2000
ISBN 1 902 595 04 1back to top.

Doherty, Claire “Social Work, Social Sculpture”, Supermanual: A user’s guide. Liverpool: FACT, 2000.back to top
Gough, Paul J. “From Heroes’ Groves to Parks of Peace.” Landscape Research 25.2 (2000): 213 – 229.
ISSN 0142 – 6397back to top.

Gough, Paul J. “War Memorial Gardens as Dramaturgical Space.” International Journal of Heritage Studies 3.4 (1998): 199 – 214.
ISSN 1352 – 7258back to top
Benci, Jacopo. Responding to Rome, British artists in Rome 1995-2005. Rome: British School at Rome, 1996.
ISBN 0 904152 49 9back to top.

Gough, Paul J. “Canada, Conflict and Commemoration: An Appraisal of the new Canadian War Memorial.” Canadian Military History 5.1 (1996): 26 – 34.
ISSN 1195 – 8472back to top
Gough, Paul J. “Conifers and Commemoration; The Politics and Protocol of Planting in Military Cemeteries.” Landscape Research 21.1 (1996): 73 – 87.

ISSN 0142 – 6397back to top
Gough, Paul J. “The Avenue at War.” Journal of the Landscape Research Group 18.2 (1993): 78 – 90.
ISSN 0142-6397back to top